Similar organisations to MILE HIGH FREEDOM BAND
Jazz Power Initiative
Established as a non-profit in 2003, we create jazz musicals and new methods of teaching that get kids excited about and involved in jazz for life.
3538
New York
MUSIC FOR ALL INC
Music for All's mission is to create, provide and expand positively life-changing experiences through music for all.
92014
Indianapolis
MUSIC IN THE SOMERSET HILLS
501(c)(3) nonprofit with a mission to create high-quality musical experiences and foster education, artistry, and community through music.
2427
Bernardsville
Jazz Unlimited of Greater Milwaukee
Jazz Unlimited is a non-profit organization run by member volunteers, with the vast majority of its budget going to support its musical promotion activities and scholarship award program.
47
Milwaukee
JAZZ BECUZZ ARTS GROUP INC
Jazz BeCuzz Art Center https://www. facebook.
583
DALLAS
-
Parent Teacher Group
-
24.
Mavericks Band Boosters
To promote excellence in band performance at Mountainside High School and to compete at band competitions in the district and state.
Beaverton
-
Fund Raising and/or Fund Distribution
-
25.
Forest High School Band Boosters Inc
Forest High School Band Program HOME PROGRAM NEWS EVENTS MEMBER RESOURCES CONTACT SUPPORT LINKS SHOW MUSIC NEW MEMBER INFO More UPCOMING EVENTS NEWS PRACTICE SCHEDULE After SchoolPractice ScheduleConcert Season MondayClosed Tuesday Clarinet Choir until 430pm individuals or small group practices until 4pm Wednesday Sax Ensemble until 4pm Open for sectionals or small groups until 4pm Thursday Open for sectionals or small groups until 4pm Friday open until 330pm 01 Charms is now Cut Time Parents Charms has now been replaced by Cut Time.
Ocala
-
Arts Council/Agency
-
26.
Cloverdale Arts Alliance
THE CLOVERDALE ARTS ALLIANCE PROVIDES YEAR ROUND EVENTS, CLASSES AND EXHIBITS TO PROMOTE THE ARTS IN CLOVERDALE AND THE SURROUNDING AREAS.
Cloverdale
-
Music Groups, Bands, Ensembles
-
27.
Sacramento Jazz Education Foundation
The SacJEF supports the education of current and future generations in the performance of early jazz.
635
SACRAMENTO





