Capricious Genesis Baez Blue Sun Katherine Hubbard selected as 2024 Guggenheim Fellow Katherine Hubbard The great room opens at Company Gallery John Edmonds at Art Basel Miami Beach FRIEZE reviews Tuesday or September of The End TIME names Hello Future one of their 20 Best Photobooks of 2021 Hello Future shortlisted for ApertureParis Photo Photobook of the Year 2021 Tuesday or September of The End Reading with The Poetry Project The Stdelschule hosts Tiona Nekkia McClodden Lecture featuring works from Se Te Subio El Santo The New York Times reviews John Edmonds solo exhibition at the Brooklyn Museum Tiona Nekkia McClodden wins Bucksbaum Award 2019 Whitney Biennial The Paris Review profiles John Edmonds THEM reviews Truant Photographs 19701979 Womens Wear Daily celebrates TOM launch Electronic Arts Intermix Capricious host Ellen Cantor Im Still Coming Coming To Power 2016 1996 release event at the New York Art Book Fair 2017 Humble Arts Foundation interviews Caitlin Teal Price in celebration of her Stranger Lives release Dazed Digital features Hustlers and Discharge Dazed Digital reviews Hustlers MoMA and Girls Against God host afternoon of Performance hosted by Vaginal Davis Dazed Digital interviews Skye Parrott and features artworks from First Love Last Rites Forthcoming 2025 Roberto Tondopo Genesis Baez featured in group show Trust Me at Whitney Museum Sasha Phyars Burgess selected as 2023 Guggenheim Fellow Jonathan Lyndon Chase FOG at Company Gallery Bomb Magazine Interviews Hannah Black ARTnews names Hello Future on their Best Art Books of 2021 list Cultured Magazine features Hello Future Falls Best Art Books Present Art History Fresh Off the Presses British Journal of Photography reviews Hello Future The Brooklyn Rail reviews wild wild Wild West Haunting of the Seahorse ARTnews hosts panel Picturing Herstory Queer Artists on Lesbian Visibility The New York Times highlights works from Quiet Storm Elephant Magazine reviews Truant Photographs 19701979 ArtForum features TOM release Hyperallergic reviews Shade The King The Heavy Collective interviews Caitlin Teal Pricee iD features Caitlin Teal Price Discharge book signing at The Standard Miami Vogue interviews Petra Collins Randy presents Sunday Session at PS1 MoMA featuring performances by Niv Acosta boychild Colin Self a reading by Jess Arndt and animation by Meriem Bennani. I Have A Room With Everything profiled in The New Yorker ArtReview features Farah Al Qasimi solo show Toy World NEW a slight cast down at the edges of the lips by Katherine Hubbard Cultured Magazine includes Tuesday or September or The End for their 12 Books That Captivated the Art World This Year The Paris Review reviews Tuesday or September of The End by Hannah Black Tuesday or September of The End Release Untitled by Sasha Phyars Burgess wins ApertureParis Photo Photobook of the Year 2021 The Washington Post reviews exhibition featuring Stranger Lives by Caitlin Teal Price British Journal of Photography reviews Untitled The Guardian features Untitled Artnet highlights John Edmonds contribution to the 2019 Whitney Biennial including images from Higher Paper Magazine features Higher Dazed Digital features works from Quiet Storm The Cut reviews Sylvia Pradas TOM Lambda Literary reviews Mucus in My Pineal Gland Out Magazine announces and reviews Mucus in My Pineal Gland featuring interview excerpts The Kitchen hosts reading of Say Bye to Reason and Hi to Everything Advocate reviews Hustlers and features artworks The CUT interviews Petra Collins BOMB Magazine interviews K8 Hardy and features Frank Peter Dick John Capricious145 Elizabeth StNew York NY 10012 capriciouspublishing Newsletter Signup Capricious is an arts foundation based in New York focused primarily on book publishing and an annual photo award with an emphasis on supporting intersectional queer perspectives. . .