
Strike Anywhere Performance Ensemble
Inspiring empathy, creativity & civic engagement through performance & education since 1997. #soundpainting #DeliveringDemocracy #PopUpAnArtisticAdventure The Strike Anywhere Performance Ensemble was founded in 1997 in NYC by Artistic/Producing Director, Leese Walker. Its mission is to promote empathy, free-thinking and greater social awareness through provocative theatre and educational outreach. Strike Anywhere’s mission is to inspire empathy, creativity, and civic enagement through provocative performance and innovative education. Its work is guided by the words of Bertolt Brecht, "Art is not a mirror held up to reality but a hammer with which to shape it."

Strike Anywhere Performance Ensemble
Overview
The Strike Anywhere Performance Ensemble is a U.S.-based nonprofit organization founded in 1997 by its Artistic/Producing Director, Leese Walker[3]. It is an interdisciplinary collective of world-class improvisers, comprising jazz musicians, modern dancers, and actors[2]. The ensemble's performances are characterized by live music, physical theater, and dance, utilizing Soundpainting, a universal sign language for live composition with improvisers developed by composer Walter Thompson[1].
Mission
The Strike Anywhere Performance Ensemble aims to promote empathy, creativity, and civic engagement through provocative performances and innovative educational programs. Its work is guided by the philosophy of Bertolt Brecht, emphasizing art as a tool to shape reality rather than merely reflect it[1][3].
Activities and Impact
Strike Anywhere has performed and taught in over 200 venues across 16 states in the United States and eight countries worldwide[1]. Their educational programs are designed to foster free-thinking and greater social awareness, aligning with their mission of promoting empathy and civic discourse[3].
Structure and Programs
As a permanent collective, Strike Anywhere offers a range of programs, including performances and educational initiatives that engage diverse audiences and participants. The ensemble's approach emphasizes collaboration and spontaneity, reflecting its commitment to improvisation and live performance[2][4].
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1997
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